A boost or cut of 0.5 dB is clearly audible, something we have never heard in a digital equalizer.” It is sonically very smooth, possesses much ‘air’, does not sound pinched when the ‘Q’ is high and is very subtle. “The Weiss Double Sampling EQ is probably the best sounding digital equalizer we have ever heard comparing very favorably with our reference analog equalizer, a compliment in itself. It sounds a lot like the EQP (Pultec analog EQ).”Įddy Schreyer, Oasis Mastering, USA For the first time I could use digital EQ at high frequencies and get a smooth sound. I’ve always found that the high end of digital equalizers has never matched the quality of analogue equalizers, but this time the top end was really smooth.”īob Ludwig, Gateway Mastering, USA, (One to One Magazine)
“… it was a delight to hear some digital EQ that actually sounded better than anything we’ve had before. And the M/S mode in the new software version is very-very useful.”Ĭhris Hatzistamou, Athens Mastering, Greece This would be my first choice if I had to use only one EQ. Maor Appelbaum, Maor Appelbaum Mastering, USA “The EQ1-MK2 is the best sounding Digital EQ1 have ever worked with. It’s so clear, naturally detailed and easy to operate – no wonder it is so highly regarded.” “The Weiss’ EQ1 ergonomics, repeatability, memories, sound, and power are unbeatable.” What more could one say?”īob Katz, Digital Domain, USA “My main comment is the sound is very very good, lovely, warm and beautiful, very analog-like. I think that the double-sampling EQ1-LP is the finest sounding equalizer that has ever been produced, whether analog or digital.”Īlan Silverman, Arf! Digital, USA
“The new upgrades to the DS1 and EQ1-LP are remarkable. Samuels, Reissue Producer and Engineer, Vladimir Horowitz - Live at Carnegie Hall, USA For my purposes, it is one of the essential tools of the trade.” “ In remastering the Vladimir Horowitz - Live at Carnegie Hall CD set, I used the Weiss EQ1-MK2 consistently, and to great effect.
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